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We are happy to assist you in choosing an activity suitable for you and your group. I think it is the technical perfection and emotional aspects that make them so inspiring to designers today,” muses Jolanthe Kugler, curator at the Vitra Design Museum in Weil am Rhein, Germany. On September 30, the museum opened its archives for a blockbuster exhibition on the influence of modernist design duo Charles and Ray Eames—its first in 20 years.
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The Nakagin Capsule Tower [a 1972 mixed-use building composed of prefabricated pods] is a fascinating project, but it may tell us more about the limits of architectural planning. The capsules were supposed to be exchangeable, but that would have only made sense if there would have been other towers somewhere else to serve as their infrastructure. The products and installations created by the design studio Raw Edges are characterised by their playful use of colours and patterns. Raw Edges have made a name for themselves through their work for companies such as Kvadrat, Moroso and Louis Vuitton.
Art Gallery of Ontario (Toronto, Canada)
Shay Alkalay, one of the partners at Raw Edges alongside Yael Mer, spoke to chief curator Jochen Eisenbrand about the actuality of Girard's work. Together with his business partner Steve Rubell, Ian Schrager founded Studio 54 in New York City in 1977, whose roster of illustrious guests secured its reputation as the most famous disco of all time. Head curator Jochen Eisenbrand spoke with Ian Schrager, now a successful hotelier and real estate mogul. Former Vitra CEO, and son of Vitra founders Willi and Erika Fehlbaum, Rolf Fehlbaum founded the museum in 1989 as an independent private foundation. The Vitra corporation provides it with a financial subsidy, the use of Vitra architecture, and organizational cooperation.
AD Classics: Vitra Design Museum and Factory / Frank Gehry
Additionally, the Vitra Design Museum offers guided architecture and production tours on the Vitra Campus. Energy is the main driving force of our society; energy is political, energy is invisible, energy is omnipresent. All of the buildings, infrastructure and products related to the generation, distribution and utilization of energy are created by human beings.
Garden Futures: Designing with Nature – TLmagazine - TL Magazine
Garden Futures: Designing with Nature – TLmagazine.
Posted: Wed, 21 Jun 2023 07:00:00 GMT [source]
Many surrealist artists have created ready-mades and other disturbing objects, unsettling our supposedly familiar world. André Breton and Salvador Dali are examples of these surrealists who took an interest in everyday objects. The realisation of exhibitions and the accompanying programme of activities and events at the Vitra Design Museum would not be possible without the support of our cooperation partners. Piet Oudolf’s famous gardens may appear wild and natural, but they are the result of meticulous planning. To him, working with plants means absolute freedom – an experience he would like everyone to share. Personalize your stream and start following your favorite authors, offices and users.
The Vitra Schaudepot which was designed by Herzog & de Meuron, presents approximately 400 key objects from the extensive collection and hence resembles one of the largest permanent collections and research sites on modern furniture design world-wide. The annual presentation at the Vitra Schaudepot reveals the collection in a fresh light every year. Often developed with renowned designers, many of the museum's exhibitions cover highly relevant contemporary themes, such as future technologies, sustainability or questions like mobility and social responsibility. Others are presenting historical topics or monographic exhibitions on iconic designers.
Being the largest furniture manufacturer worldwide and selling furniture on a global scale, IKEA is certainly also an agent in this context—in ways both good and bad. The Online Collection includes detailed information about selected objects from the collection and will be expanded continuously in the coming years. Here you won’t just find extensive details about each object, but also explanatory text and image materials, biographies of the most important designers as well as texts on the history of significant furniture manufacturers. The exhibit marks the first time that the museum’s collection of Eames works is displayed together in its entirety. Kugler admits that the material is dense but exciting, and there are a few surprises that she hopes will introduce a new side of the couple to visitors.
They designed interiors to reflect those ideas and they kind of trickle down over the course of some years. Then there are artists who may not even have been thinking about interiors but nevertheless promoted a different way of living. And then there are, of course, general social, economical, or technological developments that also directly influence the way we live at home.
Machine they invented to mold wood (and later fiberglass) into a single bent shell. These molded plywood seat shells were the Eameses' obsession in the 1940s, culminating in the design for the DCW. The Vitra Campus has access for visitors with limited mobility and wheelchair users. The Vitra Design Museum, the Vitra Schaudepot and the Vitra Design Museum Gallery are fully accessible. Wheelchairs are available free of charge at all reception areas on the Vitra Campus. The Vitra Design Museum has a staff of more than 50 people working in the departments Exhibitions, Collection & Archive, and Audiences & Media.
In 2004, ''Isamu Noguchi and Modern Japanese Ceramics'', organized by the Smithsonian's Arthur M. Sackler Gallery, examined Noguchi's little-known work in clay alongside ceramic art from nine of Japan's most influential figures, including Kitaoji Rosanjin, Kawai Kanjiro, and Yagi Kazuo. An Installation by Sabine Marcelis«, which will be on display until May 2024, is wholly devoted to colour. Following an invitation from the Vitra Design Museum, Dutch designer Sabine Marcelis has transformed the Schaudepot in one simple, sweeping gesture by sorting its roughly four hundred exhibits by colour. I found it highly interesting to learn more about Warhol’s Silver Factory and to try and look a bit behind this mystical space. It is very intriguing on so many levels, as a space of appropriation; a space where living, working, and partying came together; a new type of artist studio and early example of loft living.
Consequently, design plays a key role in the current transition to renewable energy. Though people have been designing buildings, interiors, and furnishings for millennia, it’s only since the early 20th century that interior design came to be understood as a profession. Appropriately, “Home Stories” begins with the work of Elsie de Wolfe, the society decorator whose 1913 book The House in Good Taste captured the new, light-filled aesthetic of the Edwardian era as people sought to shake off the clutter and fussiness of the Victorian period.
The Vitra Design Museum would be unthinkable without its extensive collection of design objects. The focus of the collection lies on industrial furniture design and lighting – in these areas, the unique holdings of the museum are of international importance. They are supplemented by smaller groups of objects, including cutlery, consumer electronics and architectural models. The Collection of the Eames Office as well as estates of prominent designers such as Alexander Girard, Anton Lorenz, George Nelson and Verner Panton are also maintained by the Vitra Design Museum. The expert preservation of the collection is ensured by the museum’s own conservation workshop. An extensive document archive and a library complement the collection, which is constantly expanding.
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